apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On the Lookout
On the Lookout by Julien Dupré

plate no. 3979

On the Lookout

Julien Dupré

oil, canvasRealismgenre paintingfigurecowsfieldskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering forms with loose, expressive brushstrokes. It provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, cows, and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the light source and cloud formations.

  3. step 03

    Establish the basic values of the field, using darker greens in the foreground and lighter greens in the distance.

  4. step 04

    Roughly block in the shapes of the cows, paying attention to their relative sizes and positions.

  5. step 05

    Add the figure, focusing on the gesture and proportions.

  6. step 06

    Refine the details of the cows and figure, adding highlights and shadows.

  7. step 07

    Add details to the foreground, such as flowers and grasses, using small, broken brushstrokes.

  8. step 08

    Adjust values and colors throughout the painting to create a sense of depth and atmosphere.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use alizarin crimson and burnt umber to create the red-brown hues.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating too much contrast, resulting in a harsh and unrealistic effect.
  • →Failing to establish a clear light source, leading to a lack of depth.
  • →Making the colors too saturated, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted hog bristle brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy