apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·ON THE BANKS OF THE SEINE
ON THE BANKS OF THE SEINE by Nathaniel Hone the Younger

plate no. 5127

ON THE BANKS OF THE SEINE

Nathaniel Hone the Younger, 1875

oilRealismlandscapelandscapetreeswaterfiguresskyboat
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Establish the sky with light blues and creams, blending softly.

  3. step 03

    Block in the dark masses of the trees and foliage using dark greens and browns.

  4. step 04

    Add the water, reflecting the sky and surrounding landscape with horizontal strokes.

  5. step 05

    Define the path and grassy area with variations of green and brown, using broken brushstrokes.

  6. step 06

    Paint the figures with simple shapes and muted colors, paying attention to their relative sizes.

  7. step 07

    Add details to the boat and distant shore, keeping them soft and indistinct.

  8. step 08

    Refine the highlights and shadows to create depth and dimension.

color palette

primary · sap green · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Mix greens by combining blues and yellows with touches of brown. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking details and losing the loose, impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (sap green, raw umber, titanium white, cerulean blue, yellow ochre, burnt sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette to achieve color harmony. Pre-mix several values of each color to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy