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home·artworks·On the Avon near Stratford
On the Avon near Stratford by Alfred Parsons

plate no. 2389

On the Avon near Stratford

Alfred Parsons, 1884

oilRealismlandscapelandscaperivertreesskyfigureanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through layering and color variations. It also provides practice in depicting realistic textures and forms in nature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the sky with broad strokes, establishing the overall value and color.

  3. step 03

    Establish the dark masses of the trees on the left side.

  4. step 04

    Lay in the base colors for the field, river, and distant trees.

  5. step 05

    Add details to the figure and animals, paying attention to proportions and light.

  6. step 06

    Refine the details in the foreground, including the path and vegetation.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · raw sienna · sap green · cadmium yellow

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric haze by adding white to the sky colors.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking details too early
  • →Creating too much contrast in the distance
  • →Using colors that are too saturated
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, burnt umber, ultramarine blue, titanium white, raw sienna, sap green
  • ·Round brushes (#2, #6)
  • ·Flat brushes (#4, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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