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home·artworks·Old Woman Watering Flowers
Old Woman Watering Flowers by Gerrit Dou

plate no. 3634

Old Woman Watering Flowers

Gerrit Dou, 1665

oil, panelBaroquegenre paintingfigurewindowplantpotbirdcagepitcher
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering textures of different materials (skin, fabric, clay), and understanding light and shadow to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, plant, and birdcage.

  2. step 02

    Establish the dark background and the overall value structure of the painting.

  3. step 03

    Block in the main colors of the figure's clothing, skin tones, and the terracotta pot.

  4. step 04

    Begin to refine the details of the face, paying attention to the subtle variations in skin tone and the wrinkles.

  5. step 05

    Develop the textures of the clothing, the terracotta pot, and the wooden birdcage using layering and glazing techniques.

  6. step 06

    Add the details of the plant, including the leaves and flowers.

  7. step 07

    Refine the light and shadow, paying attention to the direction of the light source.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix skin tones by blending white, red, and a touch of yellow ochre and umber. Use ultramarine and burnt umber to create dark shadows. Create the terracotta color by mixing burnt sienna and a touch of red.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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