
plate no. 2767
Diego Velázquez, 1618
Students would develop chiaroscuro lighting techniques and learn to paint realistic textures like fabric, ceramics, and food with precise detail and dramatic light-shadow relationships.
technical profile
approach — 8 steps
Begin with a detailed charcoal sketch establishing the composition and figure proportions
Block in the darkest shadow areas with burnt umber mixed with raw umber
Establish the middle tones using burnt sienna and raw sienna mixtures
Paint the lightest areas and flesh tones using Naples yellow, titanium white, and cadmium red light
Develop the fabric textures with careful attention to how light catches the folds
Paint the still life elements (pottery, eggs, utensils) with precise attention to reflective surfaces
Add final details to facial features, hands, and small objects
Refine edges and enhance the dramatic lighting contrast
color palette
primary · burnt umber · raw sienna · titanium white · Naples yellow
secondary · cadmium red light · raw umber · burnt sienna · yellow ochre
Mix warm flesh tones with Naples yellow, white, and touches of cadmium red. Create deep shadows by mixing burnt umber with raw umber.
techniques
common pitfalls
surface · primed canvas or linen panel
required
optional
Use a warm-toned ground preparation to enhance the overall golden tonality of the original
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