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home·artworks·Old mill
Old mill by Vasily Polenov

plate no. 9186

Old mill

Vasily Polenov, 1880

oil, canvasRealismlandscapemillwatertreeslandscapefoliagefigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like wood and foliage. It also provides practice in capturing subtle color variations and reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mill, water, and surrounding foliage.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the sky, water, mill, and foliage, paying attention to the atmospheric perspective.

  4. step 04

    Begin adding details to the mill, focusing on the texture of the wood and the shapes of the wheels.

  5. step 05

    Develop the foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Add reflections in the water, using broken brushstrokes to suggest movement.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details, such as the figure and small plants.

color palette

primary · raw umber · titanium white · viridian green

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the muted greens by mixing viridian green with raw umber and titanium white. Create the atmospheric haze by adding white to the blues and browns.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much bright color, which can detract from the overall mood.
  • →Ignoring the subtle color variations in the water and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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