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home·artworks·Old man's head
Old man's head by Jan Lievens

plate no. 9682

Old man's head

Jan Lievens

oilBaroqueportraitportraitmanheadbeardold agefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating depth with subtle value changes. It's also a good exercise in capturing a specific expression and mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the head and shoulders, paying attention to proportions and the angle of the head.

  2. step 02

    Establish the darkest areas of the background and clothing with a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the face with mid-tone browns and ochres.

  4. step 04

    Begin to refine the skin tones by layering and blending different shades of brown, ochre, and white.

  5. step 05

    Pay close attention to the subtle value changes around the eyes, nose, and mouth to create a realistic likeness.

  6. step 06

    Add highlights to the forehead, cheekbones, and beard to create a sense of depth and form.

  7. step 07

    Refine the details of the hair and beard, using small brushstrokes to create texture.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and convincing portrait.

color palette

primary · burnt umber · raw umber · yellow ochre · titanium white

secondary · cadmium yellow · ivory black · raw sienna

Achieve skin tones by mixing burnt umber, raw umber, yellow ochre, and titanium white. Use small amounts of cadmium yellow for warmth and ivory black to deepen shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Over-blending, which can result in a flat and lifeless appearance.
  • →Failing to establish a strong value structure early on.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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