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home·artworks·Old Man Looking Through a Window
Old Man Looking Through a Window by Samuel Dirksz van Hoogstraten

plate no. 4105

Old Man Looking Through a Window

Samuel Dirksz van Hoogstraten, 1653

oil, canvasBaroqueportraitfigurewindowportraitold manbeardstone
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and textures, as well as understanding the effects of light and shadow on form. It also provides practice in rendering architectural details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the window, the figure's head, and the main structural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the stone texture of the window frame, using a dry brush technique to create a rough, uneven surface.

  4. step 04

    Start building up the skin tones of the figure, layering thin glazes of color to create depth and realism.

  5. step 05

    Pay close attention to the details of the face, such as the eyes, nose, and mouth, to capture the figure's expression.

  6. step 06

    Render the beard and fur hat with careful attention to the individual hairs and textures.

  7. step 07

    Paint the window panes, focusing on the subtle variations in tone and color caused by the light passing through the glass.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson · ultramarine blue

Achieve realistic skin tones by mixing various combinations of raw umber, burnt sienna, yellow ochre, alizarin crimson, and titanium white. Use ivory black and ultramarine blue to create deep shadows and subtle variations in tone.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and losing the sense of depth and realism.
  • →Failing to capture the subtle variations in tone and color in the window panes.
  • →Ignoring the importance of light and shadow in creating form and depth.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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