
plate no. 1668
Jan Lievens, 1630
Recreating this painting will help students develop skills in portraiture, value studies, and creating realistic skin tones and textures. It also provides practice in rendering complex forms like the skull.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the skull.
Establish the background with dark, muted tones, creating a sense of depth.
Block in the main shapes of the figure and skull with mid-tones.
Begin layering in highlights and shadows on the face, paying attention to the bone structure and wrinkles.
Develop the details of the clothing, using subtle variations in color and value.
Refine the skull, focusing on its unique texture and form.
Add final highlights and details to the face and hands to create a sense of realism.
Glaze with thin layers to unify the painting and adjust values.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · yellow ochre · cadmium red light
Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of yellow ochre and cadmium red light for warmth. Use ivory black to darken values and create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.
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