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home·artworks·Old Man Holding a Skull
Old Man Holding a Skull by Jan Lievens

plate no. 1668

Old Man Holding a Skull

Jan Lievens, 1630

oilBaroqueportraitportraitskullfiguremanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, value studies, and creating realistic skin tones and textures. It also provides practice in rendering complex forms like the skull.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the skull.

  2. step 02

    Establish the background with dark, muted tones, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure and skull with mid-tones.

  4. step 04

    Begin layering in highlights and shadows on the face, paying attention to the bone structure and wrinkles.

  5. step 05

    Develop the details of the clothing, using subtle variations in color and value.

  6. step 06

    Refine the skull, focusing on its unique texture and form.

  7. step 07

    Add final highlights and details to the face and hands to create a sense of realism.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of yellow ochre and cadmium red light for warmth. Use ivory black to darken values and create shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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