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home·artworks·Old Man
Old Man by Georges de la Tour

plate no. 5053

Old Man

Georges de la Tour, 1619

oil, canvasTenebrismgenre paintingfigureold manstaffclothingshadowsportrait
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to use a limited palette to create depth and form. It also provides practice in rendering realistic textures and folds in clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and placement on the canvas.

  2. step 02

    Establish the main light and shadow areas with thin washes of burnt umber.

  3. step 03

    Block in the background and floor with dark, muted tones.

  4. step 04

    Begin building up the form of the figure, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Mix and apply the colors for the clothing, paying attention to the subtle variations in tone and texture.

  6. step 06

    Refine the details of the face and hands, focusing on capturing the character's expression.

  7. step 07

    Add the staff and shoes, paying attention to their form and texture.

  8. step 08

    Adjust the overall values and refine the edges to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red to warm up the skin tones and clothing. Use ivory black sparingly to deepen the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·limited palette

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much color and losing the muted, tonal quality of the painting.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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