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home·artworks·Old Lady with Scar on her Cheek
Old Lady with Scar on her Cheek by Georgios Jakobides

plate no. 5085

Old Lady with Scar on her Cheek

Georgios Jakobides

oilRealismportraitportraitfigureold womanheadscarfclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering subtle tonal variations, and capturing likeness. It also provides practice in creating a sense of depth and form using light and shadow.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the basic shapes of the face and clothing with light washes of diluted paint.

  3. step 03

    Begin building up the darker values in the shadows, paying attention to the contours of the face and clothing.

  4. step 04

    Gradually add mid-tones, blending them smoothly into the shadows and highlights.

  5. step 05

    Refine the details of the face, such as the eyes, nose, and mouth, using smaller brushes.

  6. step 06

    Add the headscarf, paying attention to the folds and shadows.

  7. step 07

    Adjust the values and tones throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix ivory black and raw umber to create the various shades of gray and brown. Use titanium white to lighten the colors and create highlights. Add small amounts of yellow ochre or burnt umber to warm up the colors as needed.

techniques

  • ·tonal blending
  • ·portrait sketching
  • ·value studies
  • ·glazing

common pitfalls

  • →Inaccurate proportions
  • →Overly harsh shadows
  • →Lack of subtle tonal variations
  • →Ignoring the underlying structure of the face

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to facilitate blending. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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