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Old Houses by Dobri Dobrev

plate no. 3791

Old Houses

Dobri Dobrev, 1960

oilRealismcityscapebuildingshouseslandscapedonkeytreesstreet
some experience helpful

Recreating this painting will help students develop skills in depicting form using light and shadow, as well as creating texture with visible brushstrokes. It also provides practice in creating a sense of depth and atmosphere in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings, ground, and trees, paying attention to perspective.

  2. step 02

    Block in the large areas of color for the sky, ground, buildings, and trees using thinned paint.

  3. step 03

    Establish the basic value structure by adding darker shadows and lighter highlights.

  4. step 04

    Begin refining the shapes of the buildings and adding details such as windows and roof tiles.

  5. step 05

    Add texture to the ground and buildings using visible brushstrokes and varying the paint thickness.

  6. step 06

    Paint the trees, focusing on capturing the overall shape and suggesting individual leaves with small brushstrokes.

  7. step 07

    Add the figure of the donkey, paying attention to its proportions and placement within the scene.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · sap green

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and white. Use ultramarine blue and burnt umber to create darker shadows. Mix greens by combining yellow ochre and ultramarine blue.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating flat, lifeless colors by not mixing enough variations.
  • →Ignoring the perspective and creating distorted shapes.
  • →Making the brushstrokes too uniform and losing the sense of texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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