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home·artworks·Old Bearded Man
Old Bearded Man by Jan Lievens

plate no. 0716

Old Bearded Man

Jan Lievens, 1633

oilBaroqueportraitportraitold manbeardfigurehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in using chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Develop the beard and hair, paying attention to the direction of the strands and the way light interacts with them.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Adjust the values and colors to create a sense of depth and realism.

  7. step 07

    Add final highlights and details to the hair and beard.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the luminosity.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · raw sienna · ivory black · cadmium yellow

Mix skin tones by blending white, yellow ochre, and a touch of burnt umber. Use raw sienna and cadmium yellow to add warmth to the beard. Darken shadows with burnt umber and a touch of black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overblending, resulting in a flat or lifeless appearance.
  • →Incorrect proportions, leading to a distorted likeness.
  • →Ignoring the direction of light, making the painting appear unnatural.
  • →Using too much black, creating a muddy or dull effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value range.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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