
plate no. 2610
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness with expressive brushstrokes. It also provides practice in creating a sense of depth and form using subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head and shoulders.
Establish the overall value structure with a thin wash of burnt umber and raw sienna.
Block in the main areas of color for the skin, hair, and background.
Begin refining the skin tones by layering and blending different shades of pink, yellow, and brown.
Add details to the eyes, nose, and mouth, paying close attention to their shape and placement.
Define the hair with loose, expressive brushstrokes, using a variety of light and dark tones.
Adjust the values and colors throughout the painting to create a sense of depth and form.
Add final highlights and details to complete the portrait.
color palette
primary · titanium white · burnt umber · raw sienna · yellow ochre
secondary · alizarin crimson · ultramarine blue · sap green
Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create the darker background tones. Mix sap green with yellow ochre and burnt umber for the hair.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.
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