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home·artworks·Officer Writing a Letter
Officer Writing a Letter by Gerard Terborch

plate no. 7817

Officer Writing a Letter

Gerard Terborch

oil, canvasBaroquegenre paintingfiguresinteriortableletterclothingdesk
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and capturing subtle variations in light and shadow. It also provides practice in depicting textures of clothing and other materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the table.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to the shapes of the faces and the folds of the clothing.

  4. step 04

    Mix and apply the local colors of the clothing, skin, and background, gradually building up the details.

  5. step 05

    Add highlights and shadows to create a sense of depth and form.

  6. step 06

    Pay careful attention to the textures of the different materials, such as the fur hat and the wooden table.

  7. step 07

    Refine the details of the letter and the inkwell on the table.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · ultramarine blue · cadmium red light

Achieve the muted tones by mixing earth tones with small amounts of blue and red. Use white to lighten values and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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