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home·artworks·Officer and Laughing Girl
Officer and Laughing Girl by Johannes Vermeer

plate no. 9957

Officer and Laughing Girl

Johannes Vermeer, 1657

oil, canvasBaroquegenre paintingfiguresinteriorwindowmaptablelight
some experience helpful

Recreating this painting will help students understand how to depict light and shadow in an interior scene and how to render realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the light and shadow on the figures, paying close attention to the way light enters from the window.

  4. step 04

    Refine the details of the faces, clothing, and objects, using small brushstrokes to create texture.

  5. step 05

    Paint the map in the background, simplifying the details and focusing on the overall pattern.

  6. step 06

    Add highlights to the reflective surfaces, such as the glass and the metal trim on the clothing.

  7. step 07

    Glaze thin layers of color to adjust the tones and create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · red ochre · ivory black · yellow ochre · raw umber

secondary · ultramarine blue · titanium white

Mix various shades of ochre and umber with white to create the skin tones and fabrics. Use ultramarine blue to create the darker tones in the shadows and the map.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·layering
  • ·rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Overworking the details and losing the overall sense of unity.
  • →Not simplifying the map enough and making it too distracting.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: red ochre, yellow ochre, raw umber, ivory black, ultramarine blue, titanium white
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
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