apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Oedipus Curses His Son Polynices
Oedipus Curses His Son Polynices by Émile Friant

plate no. 4158

Oedipus Curses His Son Polynices

Émile Friant, 1883

oilRealismmythological paintingfiguresmythologylandscaperobesdramatrees
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a dramatic narrative through composition and light. It will also improve their understanding of color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background landscape, focusing on atmospheric perspective.

  4. step 04

    Begin refining the figures, paying close attention to anatomy and drapery folds.

  5. step 05

    Mix and apply skin tones, using subtle variations to create depth and form.

  6. step 06

    Add details to the clothing and accessories, such as the sandals and jewelry.

  7. step 07

    Refine the facial expressions and gestures to convey the emotional intensity of the scene.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and ivory black to create the dark robes, and add white for highlights. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly stiff or unnatural poses.
  • →Flat or lifeless skin tones.
  • →Lack of attention to detail in the drapery folds.
  • →Failing to capture the emotional intensity of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (18x24 inches or larger) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy