
plate no. 2618
Sergey Ryabchenko, 1959
approach — 8 steps
Lightly sketch the basic shapes and composition: the bridge, buildings, and water.
Establish the darkest areas with a dark brown or black, focusing on the shadows under the bridge and the foreground.
Apply the blue-grey color to the sky and water, leaving some areas untouched for highlights.
Add the brown tones to the buildings, using varying shades to create depth and form.
Use a dry brush technique to add texture to the buildings and bridge.
Refine the linework with a fine brush, emphasizing the architectural details.
Add highlights with a lighter blue or white to create reflections on the water and buildings.
Review and adjust the values and colors to achieve the desired contrast and depth.
color palette
primary · Prussian blue · Burnt umber
secondary · Titanium white · Payne's grey
Mix Prussian blue with a touch of burnt umber and white to achieve the blue-grey of the sky and water. Use varying amounts of white to create lighter and darker shades. Mix burnt umber with a touch of black for the darkest shadows.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Using a limited palette will help maintain color harmony. Consider using a toned canvas to establish a base value.
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