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home·artworks·Odessa. The bridge on Lizoguba str.
Odessa. The bridge on Lizoguba str. by Sergey Ryabchenko

plate no. 2618

Odessa. The bridge on Lizoguba str.

Sergey Ryabchenko, 1959

linocut, paperRealismcityscapecityscapebridgebuildingswaterarchitecturestreet
some experience helpful

Recreating this painting will help students develop skills in linework, creating depth through layering, and understanding positive and negative space. It also encourages simplification of complex scenes into basic shapes and values.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition: the bridge, buildings, and water.

  2. step 02

    Establish the darkest areas with a dark brown or black, focusing on the shadows under the bridge and the foreground.

  3. step 03

    Apply the blue-grey color to the sky and water, leaving some areas untouched for highlights.

  4. step 04

    Add the brown tones to the buildings, using varying shades to create depth and form.

  5. step 05

    Use a dry brush technique to add texture to the buildings and bridge.

  6. step 06

    Refine the linework with a fine brush, emphasizing the architectural details.

  7. step 07

    Add highlights with a lighter blue or white to create reflections on the water and buildings.

  8. step 08

    Review and adjust the values and colors to achieve the desired contrast and depth.

color palette

primary · Prussian blue · Burnt umber

secondary · Titanium white · Payne's grey

Mix Prussian blue with a touch of burnt umber and white to achieve the blue-grey of the sky and water. Use varying amounts of white to create lighter and darker shades. Mix burnt umber with a touch of black for the darkest shadows.

techniques

  • ·Dry brush
  • ·Linework
  • ·Layering
  • ·Value contrast

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the value structure
  • →Not simplifying the scene enough

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Rags
  • ·Linseed oil or acrylic medium

optional

  • ·Retarder medium
  • ·Easel
  • ·Reference photo

Using a limited palette will help maintain color harmony. Consider using a toned canvas to establish a base value.

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