apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Odessa. Square near the station
Odessa. Square near the station by Sergey Ryabchenko

plate no. 8067

Odessa. Square near the station

Sergey Ryabchenko, 1976

linocut, paperRealismcityscapecityscapesnowtreesbuildingparkwinter
some experience helpful

Recreating this linocut-style painting will help students develop skills in simplifying complex scenes into basic shapes and understanding the use of limited color palettes to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the main shapes: the building, the large tree, and the snow-covered ground.

  2. step 02

    Divide the composition into distinct areas of light and shadow, focusing on the overall structure.

  3. step 03

    Apply the base color (light yellow/ochre) to the sky and building areas.

  4. step 04

    Use a darker brown/black to define the tree trunks, branches, and architectural details.

  5. step 05

    Mix a light blue/gray for the snow shadows, using short, directional strokes to suggest texture.

  6. step 06

    Add white for the snow highlights, keeping the edges crisp and defined.

  7. step 07

    Refine the details of the trees and branches, using thin lines to create a sense of depth.

  8. step 08

    Add final touches to the building and foreground elements, ensuring a balance between detail and simplicity.

color palette

primary · ochre · black · white

secondary · light blue-gray · brown

Mix the light blue-gray by combining white with a touch of blue and gray. Achieve variations in the ochre by adding small amounts of brown or yellow.

techniques

  • ·layering
  • ·hatching
  • ·limited palette
  • ·negative space

common pitfalls

  • →Overcomplicating the details, losing the simplified linocut effect.
  • →Using too many colors, muddying the overall clarity.
  • →Failing to establish a strong value contrast, resulting in a flat image.
  • →Not simplifying the shapes enough.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic paints (ochre, black, white, blue, brown)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Water container
  • ·Paper towels

optional

  • ·palette knife
  • ·ruler

Use matte acrylics to mimic the linocut print effect. A toned canvas (light ochre) can be used as a base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy