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home·artworks·Odessa. Fountain at the Opera House
Odessa. Fountain at the Opera House by Sergey Ryabchenko

plate no. 4415

Odessa. Fountain at the Opera House

Sergey Ryabchenko

linocut, paperRealismcityscapecityscapefountainarchitecturestatuebuildingopera house
some experience helpful

Recreating this linocut-style painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create depth and contrast. It also encourages practice in creating texture through brushstrokes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the fountain, the opera house, and the background buildings.

  2. step 02

    Establish the basic composition and proportions.

  3. step 03

    Apply a base layer of the light teal color to the sky and background.

  4. step 04

    Mix a darker teal/green color for the buildings and shadows.

  5. step 05

    Use the darker color to define the architectural details of the opera house and the shapes of the background buildings.

  6. step 06

    Apply white to the fountain statue, leaving some teal showing through for shadows and form.

  7. step 07

    Add dark green/black to the foreground to represent the grass and foliage, using short, choppy strokes.

  8. step 08

    Refine details and add highlights where necessary.

color palette

primary · light teal · dark green/black · white

secondary ·

Mix the light teal by combining a blue-green with white. The dark green/black can be achieved by mixing a dark green with a touch of black or burnt umber.

techniques

  • ·linocut effect
  • ·limited palette
  • ·chiaroscuro
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overcomplicating the details, focus on simplification.
  • →Using too many colors, stick to the limited palette.
  • →Not establishing enough contrast between light and dark areas.
  • →Making the sketch too detailed before painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas or painting panel
  • ·Acrylic or oil paints (light teal, dark green/black, white)
  • ·Round brush (various sizes)
  • ·Flat brush (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Water or solvent (depending on paint type)
  • ·Rags

optional

  • ·Medium (for blending or glazing)
  • ·Easel
  • ·Reference photo

Using a textured canvas can enhance the linocut effect. Experiment with different brushstrokes to mimic the carved lines of a linocut print.

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