
plate no. 4786
Giovanni Fattori, 1890
Recreating this painting will help students develop skills in capturing light and shadow with a limited palette and creating texture with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the donkey, the nun, the barrels, and the building.
Block in the large areas of color, starting with the darkest tones.
Gradually build up the mid-tones and highlights, paying attention to the direction of light.
Add details to the figures and the donkey, focusing on capturing their form and posture.
Create texture in the building and ground using short, broken brushstrokes.
Refine the edges and shapes, softening or hardening them as needed.
Add final highlights and shadows to create depth and dimension.
Step back and assess the overall composition, making any necessary adjustments.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ivory black · yellow ochre
Mix burnt umber and white for the lighter tones of the figures and building. Use raw sienna and a touch of yellow ochre for the barrels. Add small amounts of black to darken the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a slightly textured surface to enhance the effect of the dry brush technique.
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