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home·artworks·Nun in the garden
Nun in the garden by Odoardo Borrani

plate no. 0369

Nun in the garden

Odoardo Borrani

oil, woodRealismgenre paintingnungardentreespathfoliagesky
some experience helpful

Recreating this painting will help students develop skills in rendering figures in shadow and creating depth through atmospheric perspective. It also provides practice in depicting various textures, such as foliage and stone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the path, the trees, and the building in the background.

  2. step 02

    Establish the basic color blocks for the sky, foliage, and ground, focusing on the overall value structure.

  3. step 03

    Begin refining the shapes of the trees and foliage, adding darker tones to create depth.

  4. step 04

    Block in the figure with a dark base color, paying attention to the folds of the habit.

  5. step 05

    Add highlights and shadows to the figure to define its form and create contrast.

  6. step 06

    Develop the details of the path and the surrounding foliage, using varied brushstrokes to create texture.

  7. step 07

    Refine the sky with subtle color variations and soft blending.

  8. step 08

    Add final details and highlights to the entire painting, ensuring a cohesive and harmonious composition.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix ivory black and raw umber with varying amounts of titanium white to create the different shades of the nun's habit and the shadows in the foliage. Use yellow ochre and burnt sienna to create the warm tones of the building and the path. Mix ultramarine blue and titanium white for the sky, adding touches of yellow ochre for the sunset glow.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat and lifeless appearance.
  • →Failing to create sufficient contrast in the figure, causing it to blend into the background.
  • →Ignoring the subtle color variations in the sky, resulting in a dull and unconvincing atmosphere.
  • →Not establishing a clear value structure early on, leading to a muddy and incoherent composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned ground (e.g., raw umber) to unify the color palette.

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oil painting for beginners →how to learn by studying the masters →
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