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home·artworks·Noli Me Tangere
Noli Me Tangere by Claude Lorrain

plate no. 3709

Noli Me Tangere

Claude Lorrain, 1681

oil, canvasClassicismreligious paintinglandscapetreesfigurescityscapeskyhill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle variations in tone and color. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the hills, trees, and figures.

  2. step 02

    Block in the sky with light blues and grays, creating a sense of depth and atmosphere.

  3. step 03

    Establish the dark masses of the trees and hills, paying attention to the overall value structure.

  4. step 04

    Begin adding details to the trees, using a variety of greens and browns to create texture and depth.

  5. step 05

    Paint the cityscape in the distance, using muted colors and soft edges to suggest distance.

  6. step 06

    Add the figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details of the landscape, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall effect.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · cadmium yellow light · alizarin crimson

Achieve the atmospheric haze by mixing blues and whites with a touch of umber. Use glazes of burnt umber and raw sienna to create depth in the shadows. Mix greens by combining blues, yellows, and browns.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering foliage
  • ·figure painting

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the shadows
  • →Failing to establish a clear focal point
  • →Inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the brushstrokes.

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