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home·artworks·Noel Harry Leaver (1889–1951)
Noel Harry Leaver (1889–1951) by Leon Underwood

plate no. 2028

Noel Harry Leaver (1889–1951)

Leon Underwood, 1911

oilRealismportraitportraitfiguremanclothingbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also offers practice in capturing likeness and rendering clothing details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a thin wash of burnt umber.

  3. step 03

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the subtle color variations in the face, especially around the eyes, nose, and mouth.

  5. step 05

    Block in the dark areas of the suit, using a mix of black and burnt umber.

  6. step 06

    Add details to the hair, paying attention to the direction of the brushstrokes to suggest form and texture.

  7. step 07

    Refine the background, blending the colors smoothly to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and details to the face and clothing to complete the painting.

color palette

primary · titanium white · burnt umber · ivory black

secondary · yellow ochre · raw sienna · alizarin crimson

Mix skin tones by combining white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use burnt umber and black for the suit, adding small amounts of white for highlights.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·layering
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value gradations.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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