
plate no. 2028
Leon Underwood, 1911
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also offers practice in capturing likeness and rendering clothing details.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and background.
Establish the main light and shadow areas on the face and clothing using a thin wash of burnt umber.
Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.
Pay close attention to the subtle color variations in the face, especially around the eyes, nose, and mouth.
Block in the dark areas of the suit, using a mix of black and burnt umber.
Add details to the hair, paying attention to the direction of the brushstrokes to suggest form and texture.
Refine the background, blending the colors smoothly to create a soft, atmospheric effect.
Add final highlights and details to the face and clothing to complete the painting.
color palette
primary · titanium white · burnt umber · ivory black
secondary · yellow ochre · raw sienna · alizarin crimson
Mix skin tones by combining white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use burnt umber and black for the suit, adding small amounts of white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.
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