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home·artworks·Nicolaes de la Bye
Nicolaes de la Bye by Jan de Bray

plate no. 5509

Nicolaes de la Bye

Jan de Bray, 1660

oil, canvasBaroqueportraitportraitfiguremanclothinghandpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding chiaroscuro and creating depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and composition.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the figure.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different shades of warm and cool colors.

  5. step 05

    Paint the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Render the hands and the paper, focusing on accurate anatomy and subtle details.

  7. step 07

    Add highlights and details to the face, hair, and clothing to create a sense of realism and depth.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and balanced composition.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre and burnt sienna to warm up the skin tones. Use cadmium red light sparingly for subtle highlights on the lips and cheeks.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much black and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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