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home·artworks·Nicodemus Visiting Jesus
Nicodemus Visiting Jesus by Henry Ossawa Tanner

plate no. 0812

Nicodemus Visiting Jesus

Henry Ossawa Tanner, 1899

oilRealismreligious paintingfiguresarchitecturenightcityscapereligious
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a nocturnal setting and understanding how to use light and shadow to create mood and depth. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, paying attention to the cool tones of the night sky and the warm glow emanating from Jesus.

  3. step 03

    Block in the main shapes of the figures, using darker values for the shadows and lighter values for the highlights.

  4. step 04

    Develop the background cityscape, using soft, blended brushstrokes to create a sense of distance.

  5. step 05

    Add details to the figures, such as facial features, clothing folds, and hand gestures.

  6. step 06

    Refine the lighting, paying close attention to the way light falls on the figures and the surrounding environment.

  7. step 07

    Add final touches, such as highlights and shadows, to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · alizarin crimson

Achieve the cool night sky by mixing ultramarine blue with white and a touch of alizarin crimson. Create the warm glow by mixing yellow ochre with burnt umber and white.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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oil painting for beginners →how to learn by studying the masters →
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