apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nice, Les Platanes
Nice, Les Platanes by Włodzimierz Zakrzewski

plate no. 2110

Nice, Les Platanes

Włodzimierz Zakrzewski, 1972

oilRealismlandscapetreeslandscapebuildingpathskycityscape
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and layering paint to create texture and depth. It also encourages observation of complex forms like trees and how light interacts with them.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees and the building in the distance.

  2. step 02

    Block in the sky with a thin layer of light gray and white, using loose brushstrokes.

  3. step 03

    Apply a base layer of dark brown and black to the tree trunks and branches, establishing their general shapes.

  4. step 04

    Begin building up texture on the trees using thick impasto strokes of brown, black, and touches of green and yellow.

  5. step 05

    Add highlights to the trees and branches using lighter shades of gray, white, and yellow, focusing on areas where light hits.

  6. step 06

    Paint the path and ground using a mix of gray, brown, and blue, varying the tones to create depth.

  7. step 07

    Suggest the building in the distance with simple shapes and light colors, keeping it soft and blurred.

  8. step 08

    Refine the details of the trees and branches, adding small touches of color and texture to create a sense of realism.

color palette

primary · black · white · brown · gray

secondary · yellow · green · blue

Achieve the various shades of brown and gray by mixing black and white with small amounts of brown, yellow, and blue. Use white to lighten the colors and create highlights.

techniques

  • ·impasto
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much paint and creating a muddy texture.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the trees and sky.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (black, white, brown, gray, yellow, green, blue)
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Painting medium (e.g., Liquin)
  • ·Varnish

Use high-quality oil paints for best results. A thicker paint consistency is ideal for impasto techniques.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy