apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Newgate, Committed for Trial
Newgate, Committed for Trial by Frank Holl

plate no. 9483

Newgate, Committed for Trial

Frank Holl, 1878

oil, canvasRealismgenre paintingfiguresprisonbarsfamilyinteriorclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, capturing realistic light and shadow, and creating a somber, emotional atmosphere. It also provides practice in depicting different textures of clothing and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and the prison bars.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin to refine the figures, focusing on accurate anatomy and facial expressions.

  4. step 04

    Develop the details of the clothing, using subtle color variations and brushstrokes to create texture.

  5. step 05

    Paint the prison bars, paying attention to their perspective and the way they interact with the figures.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and foreground, adding details to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and compelling image.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna · cadmium red light

Mix various shades of gray and brown by combining the primary colors. Use small amounts of blue and red to create subtle color variations in the clothing and skin tones.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures.
  • →Overly bright or saturated colors.
  • →Inaccurate perspective of the prison bars.
  • →Lack of attention to detail in the clothing and facial expressions.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, ivory black, titanium white, yellow ochre, Prussian blue, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy