apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Neapolitan country road
Neapolitan country road by Attilio Pratella

plate no. 8121

Neapolitan country road

Attilio Pratella

oilRealismgenre paintingbuildingsfiguresstreetskytreesreflections
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the reflections on a wet surface. It also provides practice in rendering figures in a realistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and figures.

  2. step 02

    Establish the horizon line and the perspective of the street.

  3. step 03

    Block in the main color masses for the sky, buildings, and ground using thin washes.

  4. step 04

    Develop the details of the buildings, paying attention to the light and shadow.

  5. step 05

    Add the figures, starting with the larger shapes and then refining the details.

  6. step 06

    Create the reflections on the wet street, using lighter values and blurred edges.

  7. step 07

    Add the bare tree branches and other small details.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · gray · white · brown · ochre

secondary · blue · red · yellow

Mix various shades of gray by combining white, black, and small amounts of blue or brown. Achieve the warm tones of the buildings by mixing ochre, burnt sienna, and white.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the reflections too sharp or defined.
  • →Not capturing the atmospheric perspective, causing the background to appear flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: titanium white, ivory black, burnt umber, yellow ochre, ultramarine blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy