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home·artworks·Natureza morta (caixa com potes)
Natureza morta (caixa com potes) by Josefa de Obidos

plate no. 5047

Natureza morta (caixa com potes)

Josefa de Obidos, 1660

oilBaroquestill lifeboxespotterystill lifetablejarred ornament
some experience helpful

Recreating this painting will help students develop skills in rendering form through subtle value changes and understanding the effects of light on different textures. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the objects on the canvas.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the objects with their local colors, paying attention to the overall value structure.

  4. step 04

    Begin to build up the form of each object by layering in highlights and shadows.

  5. step 05

    Focus on rendering the textures of the boxes, pottery, and cloth using subtle brushstrokes and value changes.

  6. step 06

    Add the red ornament, paying attention to its highlights and shadows.

  7. step 07

    Refine the details and edges of each object, ensuring they are not too sharp or blurry.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · titanium white · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ivory black. Use titanium white to create highlights and cadmium red light for the ornament.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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