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home·artworks·Natureza morta
Natureza morta by Josefa de Obidos

plate no. 2206

Natureza morta

Josefa de Obidos, 1660

oilBaroquestill lifestill lifefoodflowersbaskettable
some experience helpful

Recreating this painting will help students develop skills in rendering textures, observing subtle color variations in light and shadow, and composing a balanced still life. Students will also learn to create a sense of depth through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the basket, food items, and flowers, paying attention to proportions and placement.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the food and basket, focusing on the overall value structure.

  4. step 04

    Begin to refine the shapes and details of the food items, adding highlights and shadows to create form.

  5. step 05

    Work on the textures of the different food items, using appropriate brushstrokes and color variations.

  6. step 06

    Paint the flowers, paying attention to their delicate petals and subtle color changes.

  7. step 07

    Add the details of the basket, including the woven texture and decorative elements.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic painting.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black · cadmium yellow

Mix various shades of yellow ochre and raw umber with white to create the different tones of the food and basket. Use burnt sienna to add warmth and depth to the shadows. Mix black and white to create the grays for the basket.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Failing to create a strong sense of depth and form.
  • →Not paying enough attention to the subtle color variations.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, raw umber, titanium white, burnt sienna, ivory black, cadmium yellow)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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