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home·artworks·Nature morte aux poissons
Nature morte aux poissons by Cornelis Norbertus Gysbrechts

plate no. 1241

Nature morte aux poissons

Cornelis Norbertus Gysbrechts, 1667

oilBaroquestill lifestill lifefishbreadtableclothgobletonion
some experience helpful

Recreating this painting will help students develop skills in rendering textures like fabric, metal, and food, as well as understanding the use of chiaroscuro to create depth and form. It also provides practice in accurately depicting reflective surfaces and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main shapes of the objects with their local colors, focusing on the overall value structure.

  4. step 04

    Begin to refine the forms by adding highlights and shadows, building up layers of paint.

  5. step 05

    Pay close attention to the textures of each object, using appropriate brushstrokes to create the illusion of realism.

  6. step 06

    Add details such as the reflections on the goblet and the patterns on the tablecloth.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the depth.

  8. step 08

    Add final highlights and details to sharpen the focus and complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow · alizarin crimson

Achieve the dark background by mixing ivory black and raw umber. Use yellow ochre and titanium white for the bread, adjusting the value with raw umber. Mix burnt sienna and alizarin crimson for the red accents in the rug.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering reflective surfaces
  • ·creating texture with brushstrokes

common pitfalls

  • →getting the proportions wrong
  • →overworking the details too early
  • →not creating enough contrast
  • →making colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·retouch varnish

Use a smooth canvas for best results. Consider using a toned ground to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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