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home·artworks·Myrrh Bearing Women
Myrrh Bearing Women by Marie Bashkirtseff

plate no. 1330

Myrrh Bearing Women

Marie Bashkirtseff, 1883

oilRealismreligious paintingfigureslandscapeskyreligious scenewomenfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a muted, limited palette. It's a good exercise in capturing mood and emotion through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky and distant landscape with light, muted colors, paying attention to atmospheric perspective.

  4. step 04

    Begin to define the figures, starting with the darkest areas and gradually adding highlights.

  5. step 05

    Develop the details of the foreground, including the foliage and rocks.

  6. step 06

    Refine the figures' forms and drapery, paying attention to the way light and shadow define their shapes.

  7. step 07

    Add final details and highlights to create depth and interest.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the mood.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · raw sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin glazes to create subtle color variations.

techniques

  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Losing the overall value structure.
  • →Ignoring atmospheric perspective and creating a flat, unrealistic landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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