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home·artworks·Mrs. Richard Patteshall (Martha Woody) and child
Mrs. Richard Patteshall (Martha Woody) and child by Thomas Smith

plate no. 8819

Mrs. Richard Patteshall (Martha Woody) and child

Thomas Smith, 1679

oilBaroqueportraitportraitfiguresclothingdraperymotherchild
experienced study

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering fabrics with subtle value changes. Students will also learn about creating depth through layering and glazing techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a warm toned ground.

  2. step 02

    Create a light sketch of the figures and basic composition.

  3. step 03

    Block in the main shapes and colors of the background and figures, focusing on overall values.

  4. step 04

    Begin layering in the darker tones, defining the forms and shadows.

  5. step 05

    Develop the details of the faces, paying close attention to proportions and subtle value changes.

  6. step 06

    Add details to the clothing, including the lace and ribbons.

  7. step 07

    Refine the drapery and background, adding highlights and shadows to create depth.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and black by combining raw umber, burnt sienna, and ivory black. Use white to create highlights and lighter skin tones. Add small amounts of red and yellow for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·value studies
  • ·fabric rendering

common pitfalls

  • →Getting proportions wrong in the faces.
  • →Overworking the details too early.
  • →Failing to create a sense of depth.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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