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home·artworks·Mrs Joseph Cox, née Elizabeth Macro
Mrs Joseph Cox, née Elizabeth Macro by John Riley

plate no. 9417

Mrs Joseph Cox, née Elizabeth Macro

John Riley

oilBaroqueportraitportraitfigurewomanclothingpearlshair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric and jewelry. It also provides practice in creating soft, diffused lighting and subtle value transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the main areas of color: background, skin, clothing, and hair.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Develop the details of the face, focusing on accurate placement and rendering of the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, paying attention to the folds and drapery. Use glazes to create depth and richness in the colors.

  6. step 06

    Add the details of the pearls and other jewelry, using highlights to create a sense of realism.

  7. step 07

    Refine the hair, using small brushstrokes to create texture and movement.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre · raw sienna

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. The background is primarily black with subtle variations of brown and blue. The fabric colors are created by mixing earth tones with white and blue.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth and dimension in the clothing.
  • →Poor rendering of the facial features.
  • →Ignoring subtle value changes.

materials

surface · stretched oval canvas

required

  • ·Stretched oval canvas
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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