apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs Huxley
Mrs Huxley by John Collier

plate no. 9691

Mrs Huxley

John Collier, 1928

oilRealismportraitportraitfiguredresswood panelface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding of light and shadow to create form. It also provides practice in depicting textures like fabric and wood.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and background.

  2. step 02

    Establish the darkest and lightest values to define the overall tonal range.

  3. step 03

    Begin blocking in the background wood panel with varying shades of brown and gray.

  4. step 04

    Start building up the skin tones using thin layers of paint, focusing on subtle value changes.

  5. step 05

    Work on the dress, paying attention to the folds and details of the fabric.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Add final details such as the lace collar and the inscription on the wood panel.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or yellow ochre to warm up the skin tones. Use burnt umber for the darkest shadows.

techniques

  • ·value studies
  • ·glazing
  • ·blending
  • ·portrait proportions
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle value changes in the background.
  • →Ignoring the details in the dress and lace collar.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy