apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs Florence Humphris
Mrs Florence Humphris by Henry Scott Tuke

plate no. 3192

Mrs Florence Humphris

Henry Scott Tuke

oilRealismportraitfigureportraitdresspearlshandsdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth with a limited color palette and subtle value shifts.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the dark background with a thin wash of dark color, leaving the figure area untouched.

  3. step 03

    Block in the main areas of color for the skin, dress, and lace, using a limited palette.

  4. step 04

    Refine the facial features, paying attention to the subtle highlights and shadows.

  5. step 05

    Develop the details of the dress, including the folds, textures, and embellishments.

  6. step 06

    Add the highlights and shadows to the hands, capturing their form and gesture.

  7. step 07

    Paint the pearl necklace, adding small highlights to create a sense of roundness.

  8. step 08

    Add final details and adjustments to the composition, ensuring a cohesive and balanced image.

color palette

primary · viridian green · ivory black · raw umber · titanium white

secondary · cadmium yellow light · alizarin crimson

Mix greens by combining viridian green with ivory black and cadmium yellow. Skin tones can be achieved by mixing titanium white, raw umber, and small amounts of alizarin crimson and cadmium yellow.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too many colors, resulting in a muddy appearance.
  • →Neglecting the importance of accurate proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (viridian green, ivory black, raw umber, titanium white, cadmium yellow light, alizarin crimson)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·#4 round brush
  • ·#6 flat brush
  • ·rags or paper towels

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy