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home·artworks·Moving House
Moving House by Viktor Vasnetsov

plate no. 2152

Moving House

Viktor Vasnetsov, 1876

oil, canvasRealismgenre paintingfiguressnowcityscapedogriversky
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic figures in a muted color palette. It also offers practice in creating a sense of depth and distance through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, the cityscape, and the dog.

  2. step 02

    Establish the horizon line and the basic shapes of the buildings and riverbank.

  3. step 03

    Block in the main color areas: sky, snow, figures' clothing, and the cityscape.

  4. step 04

    Begin to refine the values and colors of the sky, creating a sense of atmospheric perspective.

  5. step 05

    Add details to the figures, focusing on the folds of their clothing and their facial features.

  6. step 06

    Paint the dog, paying attention to its proportions and the way it stands in the snow.

  7. step 07

    Add details to the cityscape, including the architectural elements and the reflections in the water.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and realistic image.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · payne's gray

Achieve the muted tones by mixing the primary colors with small amounts of secondary colors. Use white to lighten values and create atmospheric perspective.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to create a sense of atmospheric perspective, which can flatten the image.
  • →Using colors that are too bright or saturated, which can clash with the muted palette.
  • →Ignoring the subtle value changes that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a canvas with a medium texture to allow for dry brushing and scumbling techniques. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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