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home·artworks·Mouth of the Mediterranean at Low Tide
Mouth of the Mediterranean at Low Tide by Abraham Storck

plate no. 4773

Mouth of the Mediterranean at Low Tide

Abraham Storck

oilBaroquemarinaboatsfigurescloudsbuildingswatershore
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex cloud formations. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, boats, and figures.

  2. step 02

    Establish the sky with broad washes of color, paying attention to the values of the clouds.

  3. step 03

    Block in the landmasses and buildings, using darker values for areas in shadow.

  4. step 04

    Add the boats, starting with the larger shapes and gradually adding details.

  5. step 05

    Paint the figures, simplifying their forms and focusing on their gestures and poses.

  6. step 06

    Refine the details of the foreground, including the sand, rocks, and objects.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to add warmth to the foreground and buildings.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas to allow for subtle blending and texture.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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