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home·artworks·Mountain saddle in the vicinity of Kislovodsk
Mountain saddle in the vicinity of Kislovodsk by Mykola Yaroshenko

plate no. 6975

Mountain saddle in the vicinity of Kislovodsk

Mykola Yaroshenko, 1882

oilRealismlandscapemountainstreesgrasswaterskylandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value. It also provides practice in layering and blending techniques to achieve soft transitions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, trees, and foreground.

  2. step 02

    Block in the sky with a thin wash of pale blue and yellow, blending for a soft gradient.

  3. step 03

    Establish the mountain masses with muted greens and blues, using darker values for areas in shadow.

  4. step 04

    Add the darker trees and foliage in the middle ground, varying the greens and adding touches of brown and black.

  5. step 05

    Paint the foreground grasses and water, using a mix of greens, yellows, and browns. Suggest reflections in the water.

  6. step 06

    Refine the details of the trees and grasses with smaller brushes, adding highlights and shadows.

  7. step 07

    Soften edges and blend transitions to create a hazy, atmospheric effect.

  8. step 08

    Add final touches and highlights to the water and foreground to enhance the sense of depth.

color palette

primary · sap green · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · raw sienna · cadmium yellow light

Achieve the muted greens by mixing blue, yellow, and a touch of brown. Use white to lighten values and create atmospheric haze. Vary the green tones by adding small amounts of red or blue.

techniques

  • ·wet-on-wet blending
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and bright.
  • →Failing to create enough contrast between the foreground and background.
  • →Making the edges too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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