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home·artworks·Mountain Aragats
Mountain Aragats by Yeghishe Tadevosyan

plate no. 3021

Mountain Aragats

Yeghishe Tadevosyan, 1917

oil, clothRealismlandscapemountainsskyfieldanimalsgrasstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also offers practice in capturing the texture of grass and foliage with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountain range, horizon line, and placement of the animals.

  2. step 02

    Block in the sky with a light blue-gray wash, blending the colors softly.

  3. step 03

    Establish the mountain range with white and gray, paying attention to the shapes and shadows.

  4. step 04

    Lay in the base colors for the field, using different shades of green and brown.

  5. step 05

    Add details to the trees and distant buildings with small brushstrokes.

  6. step 06

    Paint the animals with dark tones, highlighting the form with subtle variations in color.

  7. step 07

    Refine the details of the grass and foliage, using broken brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated and not blending them effectively.
  • →Ignoring the subtle variations in color and value within the field and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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