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Mount Fuji by David Burliuk

plate no. 1026

Mount Fuji

David Burliuk, 1922

oilRealismlandscapemountaintreeslandscapeskyfieldssnow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex landscapes into manageable shapes. It also provides practice in capturing atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, trees, and fields, paying attention to proportions and perspective.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the basic colors of the mountain, using light purples and blues for the shaded areas and white for the snow.

  4. step 04

    Paint the distant trees with darker greens and blues, gradually lightening the colors as you move towards the foreground.

  5. step 05

    Block in the fields with various shades of green, brown, and purple, using short, broken brushstrokes to create texture.

  6. step 06

    Add details to the trees and fields, such as individual leaves and blades of grass.

  7. step 07

    Refine the highlights and shadows on the mountain and in the landscape.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and harmonious composition.

color palette

primary · ultramarine blue · titanium white · sap green · burnt umber

secondary · cadmium yellow · alizarin crimson · violet

Mix blues and whites for the sky and mountain shadows. Use greens and yellows for the fields, adding touches of red and brown for variation. Mix purples and browns to create the muddy areas in the foreground.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Not establishing a clear focal point
  • →Ignoring the effects of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Use artist-grade oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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