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home·artworks·Mother with child inside the basilica of Santa Maria del Popolo in Rome
Mother with child inside the basilica of Santa Maria del Popolo in Rome by Noè Bordignon

plate no. 0355

Mother with child inside the basilica of Santa Maria del Popolo in Rome

Noè Bordignon, 1875

oil, canvasRealismgenre paintinginteriorfigurechildarchitecturechurchmarble
some experience helpful

Recreating this painting will help students develop skills in rendering figures in complex lighting and understanding atmospheric perspective to create depth. It also provides practice in depicting textures of different materials like marble and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the main light source and shadow areas.

  3. step 03

    Block in the large areas of color, starting with the background and then the figures.

  4. step 04

    Develop the details of the figures, paying attention to the folds in the clothing and the facial features.

  5. step 05

    Render the marble architecture, using subtle variations in color and value to create a sense of depth and texture.

  6. step 06

    Add details to the stained glass window and other decorative elements.

  7. step 07

    Refine the overall painting, adjusting the values and colors as needed to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix various shades of gray and brown by combining ivory black, raw umber, and burnt sienna with titanium white. Use ultramarine blue to cool down the browns and create shadows. Mix cadmium red light with white and yellow ochre to achieve the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering marble texture

common pitfalls

  • →Failing to establish a strong light source.
  • →Overworking the details too early in the painting process.
  • →Not paying attention to the subtle variations in color and value.
  • →Getting lost in the complexity of the architectural details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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