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home·artworks·Mother Combing the Hair of Her Child
Mother Combing the Hair of Her Child by Gerard Terborch

plate no. 7004

Mother Combing the Hair of Her Child

Gerard Terborch, 1653

oil, panelBaroquegenre paintingfiguresinteriormotherchildchairdomestic scene
some experience helpful

This painting offers practice in rendering realistic skin tones and depicting the fall of light in an interior setting. Students can develop skills in glazing and scumbling to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the chair, paying attention to proportions and placement.

  2. step 02

    Establish the dark background with a thin wash of dark brown.

  3. step 03

    Block in the main areas of color: the mother's dress, the child's clothing, and the red cushion.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures.

  6. step 06

    Refine the background, adding subtle variations in tone to create depth.

  7. step 07

    Add the final details, such as the hair, the mother's cap, and the objects in the background.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the tonal relationships.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · red ochre · yellow ochre · ultramarine blue

Mix browns and blacks for the dark areas, adding small amounts of blue or red to adjust the temperature. Skin tones are achieved by mixing white, yellow ochre, and a touch of red ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying attention to the subtle shifts in tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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