
plate no. 7004
Gerard Terborch, 1653
This painting offers practice in rendering realistic skin tones and depicting the fall of light in an interior setting. Students can develop skills in glazing and scumbling to achieve subtle tonal variations.
technical profile
approach — 8 steps
Lightly sketch the main figures and the chair, paying attention to proportions and placement.
Establish the dark background with a thin wash of dark brown.
Block in the main areas of color: the mother's dress, the child's clothing, and the red cushion.
Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Develop the details of the clothing, focusing on the folds and textures.
Refine the background, adding subtle variations in tone to create depth.
Add the final details, such as the hair, the mother's cap, and the objects in the background.
Glaze with thin layers of color to unify the painting and enhance the tonal relationships.
color palette
primary · burnt umber · raw umber · titanium white · ivory black
secondary · red ochre · yellow ochre · ultramarine blue
Mix browns and blacks for the dark areas, adding small amounts of blue or red to adjust the temperature. Skin tones are achieved by mixing white, yellow ochre, and a touch of red ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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