apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mother and Child
Mother and Child by Jules Trayer

plate no. 9358

Mother and Child

Jules Trayer

oil, canvasRealismgenre paintingfiguremotherchildinteriorchairbed
some experience helpful

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating a sense of depth through subtle value changes. It also provides practice in capturing realistic skin tones and the interaction of light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background and surrounding objects, paying attention to the overall atmosphere and light.

  4. step 04

    Begin refining the figures, focusing on accurate skin tones and facial features.

  5. step 05

    Add details to the clothing and fabrics, capturing the textures and folds.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to enhance the realism of the painting.

  8. step 08

    Let dry and add a varnish layer.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and a touch of yellow ochre and burnt umber. Use ultramarine blue and burnt umber to create the darker shades in the fabrics and background. Mix white with small amounts of other colors to create highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Getting skin tones too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy