apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mother and Child
Mother and Child by Alekos Kontopoulos

plate no. 3204

Mother and Child

Alekos Kontopoulos, 1943

oilRealismportraitfiguresportraitmotherchildclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and emotion with a limited palette. It also provides practice in layering and blending to create subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures, focusing on the placement of the heads and bodies.

  2. step 02

    Establish the background color with a thin wash of blue-gray.

  3. step 03

    Block in the main areas of color for the skin tones, clothing, and headscarf.

  4. step 04

    Begin to build up the values, adding darker shadows and lighter highlights to define the forms.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing and headscarf, such as folds and wrinkles.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix raw umber and white for the base skin tones, adding small amounts of yellow ochre or burnt sienna for warmth. Use ultramarine blue and black to create the cool gray background.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·blending
  • ·tonal painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (#2, #4, #6)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a limited palette to focus on tonal values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy