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Morning by Edvard Munch

plate no. 1163

Morning

Edvard Munch, 1884

oil, canvasRealismgenre paintingfigureinteriorbedlighthairdress
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light and shadow, as well as creating a sense of atmosphere through loose brushwork and color blending. Students will also learn to depict the human figure in a relaxed pose.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the room.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomy.

  4. step 04

    Start building up layers of paint, focusing on capturing the light and shadow on the figure and the surrounding objects.

  5. step 05

    Use loose brushstrokes to create texture and movement in the painting.

  6. step 06

    Refine the details of the figure, such as the face, hands, and hair.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · burnt sienna

Mix yellow ochre and white for the skin tones, adding small amounts of raw umber for shadows. Use ultramarine blue and white for the cool tones in the background. Mix burnt sienna and raw umber for the darker areas of the dress.

techniques

  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushwork.
  • →Failing to capture the subtle light and shadow on the figure.
  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated or intense.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, raw umber, titanium white, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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