apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Moonlit harbour of Volos
Moonlit harbour of Volos by Konstantinos Volanakis

plate no. 4083

Moonlit harbour of Volos

Konstantinos Volanakis

oilRealismcityscapeharborshipsbuildingsskywaterfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle tonal variations, and rendering details in a complex scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships, buildings, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and grays to create a cloudy effect.

  3. step 03

    Block in the large shapes of the water, using darker blues and greens in the foreground and lighter tones in the distance.

  4. step 04

    Paint the buildings and landscape, paying attention to the perspective and relative sizes.

  5. step 05

    Add the ships, starting with the largest and most prominent one, then working on the smaller vessels in the background.

  6. step 06

    Refine the details of the figures and other elements in the foreground.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Cadmium red · Payne's gray

Mix blues and whites for the sky and water, adding small amounts of umber or gray to create subtle tonal variations. Use yellow ochre and burnt umber for the buildings and figures, and add touches of red for warmth.

techniques

  • ·Atmospheric perspective
  • ·Glazing
  • ·Dry brushing
  • ·Scumbling
  • ·Blending

common pitfalls

  • →Getting the perspective wrong, especially with the buildings and ships.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and not blending them properly.
  • →Failing to create a sense of depth and distance.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Yellow ochre, Cadmium red, Payne's gray)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the brushwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy