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home·artworks·Monkeys feasting (Singerie)
Monkeys feasting (Singerie) by Jan Brueghel the Elder

plate no. 9084

Monkeys feasting (Singerie)

Jan Brueghel the Elder

oilBaroqueanimal paintingmonkeysinteriorfruitwindowbuildingfigures
advanced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and creating depth through atmospheric perspective. It will also improve their understanding of color mixing and value relationships to create realistic textures and forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like the table, window, and building in the background.

  2. step 02

    Block in the main shapes of the monkeys, focusing on their general forms and proportions.

  3. step 03

    Establish the background colors and values, paying attention to atmospheric perspective to create depth.

  4. step 04

    Start adding details to the monkeys, working from general shapes to specific features like eyes, noses, and fur.

  5. step 05

    Develop the textures of the table cloth, fruit, and other objects in the scene.

  6. step 06

    Refine the lighting and shadows to create a sense of volume and form.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the various shades of brown and gray by mixing burnt umber, ivory black, yellow ochre, and titanium white in different proportions. Use ultramarine blue to cool down the browns and create shadows. Mix cadmium red with burnt umber for the red cloth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending and detail work.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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