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home·artworks·Monastery over the river
Monastery over the river by Vasily Polenov

plate no. 8296

Monastery over the river

Vasily Polenov, 1898

oilRealismlandscaperiverskylandscapebuildingstreeshill
some experience helpful

This painting provides practice in layering colors to create depth and using expressive brushstrokes to define form. Students will learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main elements (river, hill, buildings).

  2. step 02

    Block in the sky and river with diluted blues and whites, establishing the overall atmospheric perspective.

  3. step 03

    Lay in the basic shapes of the hill using various shades of green, paying attention to the light and shadow.

  4. step 04

    Add the darker greens and purples to the trees and foliage, creating depth and texture with short, broken brushstrokes.

  5. step 05

    Paint the buildings with light whites and greys, adding details like the roofs and windows with smaller brushes.

  6. step 06

    Refine the foreground with more detailed brushwork, adding highlights and shadows to the grass and foliage.

  7. step 07

    Add final details, such as the reflections in the water and the subtle variations in the sky.

  8. step 08

    Review and adjust the overall composition, ensuring that the values and colors are balanced.

color palette

primary · cerulean blue · viridian green · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · burnt umber

Mix greens by combining blues and yellows. Use white to lighten colors and create atmospheric perspective. Add small amounts of red to greens to create shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the atmospheric perspective and making the distant elements too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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